Famous Painting with SF Titles: Coordinates to Landing Zone XI
No doubt this painting is known to you by the title given to it by humans, L’Ultima Cena (The Last Supper). Purportedly, this work depicts the final meal eaten by Jesus and his apostles, specifically, the moment when Jesus reveals to them that one of them will betray him. They are shocked and outraged. Some of them faint. Judas looks particularly suspicious, and spills the salt. Yes, there’s tons of Christian interpretations for this painting, but they’re all just a cover for Da Vinci’s true purpose.
Da Vinci was the only surviving member of an advanced scouting party from the Betelgeuse Continuum, and he was starting to worry that all of his hard scouting work might go to waste. He had been living on Earth for many years, and the rest of his party had all succumbed to the dangers of Renaissance-age Italy: disease, poor hygiene, and of course, poetry. (The bipedal races of Betelgeuse have very low resistance to rhyming couplets.) He was legitimately worried that he might die before he could pass along his intelligence. And so, he had begun a great career of painting and sculpture to transmit his secrets to the Vanguard Fleet, which would no doubt come any day.
As many have speculated, this painting does have secret meaning. Dan Brown is way off. And there’s no hidden grail symbolism in it either. Giovanni Maria Pala had the theory that the position of the bread and hands represent the notes on a staff of music. This is the closest to the truth, for embedded withing the painting are the coordinates to what Da Vinci called “Landing Zone XI” — or LZ11, as it’s known to those of us in one of the secret societies devoted to preventing the coming Betelegeusian invasion. (This also explains the degradation of the painting.)
I would tell you where LZ11 is, but then the Betelgeusians would know, and that damned meddler Da Vinci would win.