Tweeting in two places may break my brain

And god help me if I ever get confused!

vs

Alltop has always been as funny as twain.

The Mash-Up Mentality

Pride and Prejudice and ZombiesWith derivative art invading our cultural spaces like never before, is this the start of a new artistic movement or the death of originality?

In 1951, the science-fiction writer Theodore Sturgeon said 90 per cent of everything is crap. Since then, the percentage hasn’t changed, but the volume sure has.

Digital culture serves up more derivative, unoriginal, and – let’s face it – bad art than we ever got in the old analog world. But why?

Sixty years have passed, and we’re still primates. That means we are hard-wired for acceptance and belonging to the group. Of course, being original and outstanding is hard to pull off if you’re going to run with the crowd. Call it the Thag Principle. And we don’t really outgrow it once we leave high school, where conformity is a survival issue. It gets subsumed and expressed in other ways, such as “liking” things on Facebook.

In one sense, our need for conformity runs so deep that we are not even aware of it. One of the things I loved about George Carlin was how well he could shake out our delusions of originality. He said, “People who say they don’t care what people think are usually desperate to have people think they don’t care what people think.”

So even if we spend most of our time trading links to the latest Hitler “Downfall” video or chuckling at the latest version of the “Sad Keanu” meme, it is culture. It’s derivative culture, but evidence of a kind of originality. The kind that advertising giant Leo Burnett said “made for good ads: the secret of all effective originality in advertising is not the creation of new and tricky words and pictures, but one of putting familiar words and pictures into new relationships.”

Sense and Sensibility and Sea MonstersThe mash-up mentality has invaded all of our cultural spaces too, even the literary. When I read about Seth Grahame-Smith’s book Pride and Prejudice and Zombies, I had two reactions. The first was, “Well, that’s derivative.” The second was, “Why didn’t I think of that?”

Since then, we’ve had Sense and Sensibility and Sea Monsters and Abe Lincoln Vampire Hunter, and I’m sure we’ll see Canadian knockoffs soon:John A. Macdonald’s Time Machine (filled with lots of Morlock fighting), and Anne of Green Gables Meets the Aliens (hey, why should the horror genre get all the fun?).

So is this the start of a new artistic movement, or the death of originality? Many will argue art has always had imitation, reinvention, and even plagiarism at its heart. Hell, T.S. Eliot said, “Immature poets imitate; mature poets steal.” Real originality evokes many emotions when it’s first encountered, and love is rarely one of them. Usually, it’s outrage and anger. New things scare us – the Thag part of us, which likes the predictable and reassuring. How else can you explain the proliferation ofCSI spinoffs on television?

A mash-up culture is the perfect combination of those things – something that has the frisson of newness, but is, at its heart, familiar.

Digital media has opened up the means of production so that anyone can do it. Instead of leaving them in a desk drawer, now all those frustrated novelists can publish their novels themselves. And they do. And yes, a lot of it isn’t very good. But then again, look at the stuff produced by so-called professionals. A lot of that isn’t very good either.

If you accept Sturgeon’s assertion, then 10 per cent of everything is not crap. Does that make it original? Or good?

Not necessarily. The American philosopher Eric Hoffer once wrote, “When people are free to do as they please, they usually imitate one another.” (Back to our primitive brains.) So, much of the culture we create is not original. This essay is a fine example (assuming you’ll allow that it makes the 10-per-cent cut ). I’ve quoted a science-fiction writer, a philosopher, a comedian, and a poet, and referenced numerous cultural products to make my argument.

Our only hope is the raw numbers. There are so many more people creating culture now that even if most of it is garbage, there will still be more worthwhile stuff made than at any time in history.

Of course, we may never know about it, because, hey, Thag likes his LOLCATS.

Hey, Alltop enjoys a good meme! Originally published on The Mark, February, 2011.

What is art?

Quote

Robert Hughes: 1938-2012
“The basic project of art is always to make the world whole and comprehensible, to restore it to us in all its glory and its occasional nastiness, not through argument but through feeling, and then to close the gap between you and everything that is not you, and in this way pass from feeling to meaning. It’s not something that committees can do. It’s not a task achieved by groups or by movements. It’s done by individuals, each person mediating in some way between a sense of history and an experience of the world.”

–Robert Hughes, The Shock of the New

(via Frieze)

Would you rather be punched in the face than join Klout?

Klout

I completely sympathize with this perspective, but I would ask you NOT to punch me in the face. Despite my better judgement I joined.

Look at Klout this way: it’s something else to feel inferior about! (Cause life doesn’t really offer us enough opportunities like that without a little technological help.)

Think of how awesome it will be when the technological singularity arrives, and we’ll have the chance to compare ourselves (unfavorably) to our toasters, as well as other humans.

Yay!

Note: You can find me on Klout here, where I’ve just learned that Klout thinks I’m “influential” on the topic of shoes. (So we don’t have to worry about that singularity yet.)

Alltop is always worried about what the other humor aggregators think about it.