Though they were best known for their aggressive neo-fascist jazz stylings of classic Tyrolian folk tunes, The Pillage People were equally popular with a certain sect of gigantic silly hat fetishists. (You know who you are.)
Pictured, from left to right are: Amanda Uhgenkitz (flugelhorn and pistol), Betrand “Stumpy” Russell (sousaphone, vocals and umbrella), Dennis “Don’t Mind the Finger” Travesty (vocals and thermite grenade), Velaquez Eatme (guitar and pointed stick with razor attached to the end with duct tape), and Karl “The Beard” Marks (pocket xylophone, clarinet with flame attachment, and dictatorship of the proletariat).
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I think I have an autograph from The Beard somewhere. He’s my favourite band member.
Dennis Travesty is so dreamy…
I loved the Pillage people, although I always thought that Stumpy was over-rated.
[…] they outsold the proto-fascist jazz stylings of The Pillage People four-to-one, the Über-Musik Boys never quite managed to make the big time. Even though they […]
[…] they outsold the proto-fascist jazz stylings of The Pillage People four-to-one, the Über-Musik Boys never quite managed to make the big time. Even though they […]