All of the critics agreed. Hans Feckenbruke’s performance piece, “Transcending Irony: post-post-modern capitalism in the Western World, from the top of the Chrysler Building, as seen from the perspective of consumers on the ground,” was a spectacular — if messy — achievement.
“I’ve never seen an artist commit so completely to his work before. He didn’t even flinch as he approached the pavement,” Filmore Snoot told this photographer.
“It’s a shame he wore those tennis shoes, though. It undercut the whole commentary.”
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In Sohunglo, Chugoku Prefecture, (just down the road from Hiroshima) the geisha house of Okiya Yumyum made the best of a bad situation by introducing the art of contortion to their young shikomi trainees. No longer would wealthy men have to wait while their geisha tiptoed their way to the gig in their ridiculously restrictive clothing. Now they could be carried.
Karl Wangsness had decided to honor his Norwegian heritage by having his own version of a Viking Funeral.
Time her of ahead
Lucinda was a dreamer. Someday, she knew that her Mom would return with the waffle iron and say she was sorry; perhaps even share her delicious recipe for Translucent Liquid Essence of Bran.